MOONDATE NOTE NOW- i gather material ive not had my coffee yet i am still processing the dreamtime say of shamanistic sleep ONE OF UM SAY- now do u understand why u were chosen for this haunted healers walk of faith I SAY that information can only be fullfilled when i sale my 8 million dollars nail live well and do my art on earth now the way it is supposed to be done once it was SCENICVILLE then SANDYTOWN came2be after the MAYAN CALENDER'S PROPHECY did do its haunted charm and the world took up the SANDYTOWN say and now it is SWAMPTOWN having the nine9 FREEDOM DURING SLAVERY time traveling portal door BLACK WIZARD COLLEGE say and still i am and still i do know that all who are participating who are against me agreed to the 300 years of slavery and perhaps this is some sort of knowing wellness now because of agreeing to slavery - yes? DEM SAY- Welcome child u have opened a NEW DOOR OF HUMILITY CONSCIOUSNESS add this layer to your art and keep skywriting keep working your walking child your walking

http://www.nytimes.com/2015/09/24/arts/dance/review-in-a-new-work-camille-a-brown-plays-with-empowerment.html?&moduleDetail=section-news-3&action=click&contentCollection=Dance&region=Footer&module=MoreInSection&version=WhatsNext&contentID=WhatsNext&pgtype=article

The choreographer Camille A. Brown may be tiny, but her latest dance isn’t the least bit diminutive. In “Black Girl: Linguistic Play,” which opened theJoyce Theater’s fall season on a high note Tuesday, Ms. Brown explores black female identity by transporting her dancers and audience to the playground. On a multilevel stage of platforms and mirrors, she uses the games of childhood as a source of empowerment.

In a section inspired by the cheer known as “Jig-a-low,” described by Kyra D. Gaunt in her book, “The Games Black Girls Play,” as a “call-and-response between two or more girls,” Ms. Brown says, with pluck: “My name is Cami. And I am small. But when you see me. You think I’m tall.”